Going for Baroque

This piece fought me a lot because I brought in so many cross currents and had to integrate with the extremely strong central zippy diagonal.  I transferred acrylic skins cut into different shapes, I used masking, and of course tons of acrylic transfer, primarily forming pulses perpendicular to the big diagonal.  I shifted areas to different degrees of warmth by with galzes, primarily with Indian yellow hue (Golden's for a yellowish, and M. Graham's for an orangish cast).

This is as close as I could get to reproducing the color: